“Magnus Carlsen’s brilliant endgame play is one of the key reasons for his success. The World Chess Champion can win positions which look drawn to anybody else. And more than any other player, he is able to save bad endings.
For this second volume of Magnus Carlsen Endgame Virtuoso, International Master Tibor Karolyi has selected Carlsen’s best endgames from 2018-2022, whereas the first volume covered 1999-2017. Reviewing these new games and explaining what Magnus was doing, the author was thoroughly impressed. Even Carlsen, who in 2017 was already the best endgame player of all time with Anatoly Karpov, had managed to improve his skills further.
Carlsen has it all. He can find deep ideas, play very technically, and is exceptionally well-versed in strategic and tactical endgames. The author is convinced that this new selection contains even better and more instructive games than Volume one.
Karolyi explains the general ideas in the games and gives concrete variations. Exploring these annotated endgames, you will soon get a good sense of what is happening. You will find out that Carlsen does not rush unless it is necessary. You will learn how Carlsen increases the pressure and uses all available resources. And you will see that sooner or later, his opponents will start playing second-best moves, feeling uncomfortable, following up with some dubious decisions, and, finally, cracking.
Endgame Virtuoso Magnus Carlsen – Volume 2 is a highly instructive, inspiring and entertaining book. It will help you appreciate Magnus’ endgame magic and improve your skills in this important game phase.”
About the Author:
“International Master Tibor Károlyi was Hungarian Champion in 1984 and is renowned as both an author and a trainer. He won the Guardian Chess Book of the Year prize in 2007.”
You will probably agree that endings are increasingly important – at all levels – in chess today, and that Magnus Carlsen is the strongest human endgame player in the history of chess. So everyone will benefit from studying his endings.
It’s not quite as simple as that, though. The problem is that today’s top GM games are played at a level way beyond the comprehension of average club players. If you’re looking for a book that will do more to improve your endings, I’d recommend this book which was the subject of my last review.
On the other hand, studying the games of the world’s leading players will give you a wider appreciation of chess culture, and, with the guidance of a skilled instructor to provide excellent annotations, you’ll undoubtedly learn something as well as being inspired, in a more general way, to improve your chess.
In this book you’re in the safe hands of IM Tibor Karolyi, one of the best and most experienced annotators in the business, and one who has a particular gift for making difficult positional concepts comprehensible to the average player.
The first volume of this series covered Carlsen’s earlier career. Here we have 104 endgames from 2018 up to 2022, taken from games played at all time controls. As in my last review, the author takes a pretty broad view of what constitutes an ending.
Here, for example, is a position where Magnus missed the best continuation.
This is taken from the first play-off game in the 2018 Carlsen – Caruana World Championship match.
Carlsen played the obvious 24. Bxe6+, winning a pawn and, eventually, the game, although Caruana missed drawing chances on a few occasions.
He missed the very difficult 24. Rxd4!! Kf7 25. Kh1!!, a great prophylactic move according to Karolyi, so that an eventual Nxf3 won’t be check, when Black would have had no defence to Red1 followed by Rd6. This fascinating ending is analysed extensively over 3½ pages.
Black against Vallejo Pons (Karlsruhe/Baden-Baden 2019), Carlsen reached a pawnless ending with RB against BN.
You might think this is drawn, but Carlsen knew that, with the opposing bishops on different colour squares, Black is winning. If you buy this book you can see for yourself how he brought home the full point – and how his opponent could have made it harder for him.
Karolyi tells us that Fischer could have reached a similar ending against Browne (Rovinj/Zagreb 1970), but his annotations suggested that he believed the ending to be drawn.
This game, from move 12 to its conclusion 60 moves later, is covered in 4½ pages here.
It’s striking how often Magnus plays for mate with very limited material on the board.
Here, our hero was black in an Armageddon game against Nepomniachtchi (Stavanger 2021).
Nepo erred by playing 52. Bg7? here (Ke2 would have held), which Magnus met with 52… Rh1, with Rh2+ to follow.
Along with the games you also get a running commentary on Carlsen’s tournament performances over the period, helpfully putting the games into context as well as providing some gripping reading.
At the end of the book there’s an informative interview with Carlsen’s long-term second Peter Heine Nielsen, along with a useful Endgame Classification index and the expected index of names.
What you don’t get here is the opportunity for interactive learning. Unlike in many books from this publisher, there are no quizzes at the start of each chapter, nor does the author stop every few moves to ask you questions. You might well consider this not to be a problem in a book of this nature.
As usual from New in Chess, the production values are excellent. The English, although not always totally idiomatic, reads fluently. If you’re looking for a book on Carlsen’s endgames, and there are many reasons why you should be, you won’t be disappointed with this volume. You might also want to buy Volume 1 as well, and, in a few years time, Volume 3.
I consider this a first class book written by one of the best annotators in the business. While players of, say, 2000+ strength will perhaps learn most from it, all club standard players will find Carlsen’s endgames, especially as explained here, both instructive and inspirational.
If you want to look further before making up your mind you can find some sample pages here.
Richard James, Twickenham 18th October 2024
. Richard James
Book Details:
Softcover: 256 pages
Publisher: New In Chess; 1st edition (23 March 2023)
Ralph Jackson won the Sydney Junior Championship back in 1976 and is currently ranked 7th among players in Australia born before 1960.
He is also intrigued by family history, and his interest was piqued in 2015 when a cousin showed him transcripts of letters his great grandfather’s brother had been sent by an English nephew in 1874 and 1875 concerning his family’s financial struggles, and his mother’s illness and subsequent death.
He idly, as one does, entered the name of his English relation, of whom he had previously been unaware, into Google and was both startled and delighted to discover that Antony Guest had been a prominent chess player and journalist. You could even make the case that he was the Leonard Barden of his time, and that, almost a century after his death, his influence can still be felt today.
When Ralph noticed that I’d mentioned Guest in an earlier Minor Piece he contacted me to ask what more I could discover about him. As he was on my list of future Minor Pieces, in part because of his local connections to me, I was more than happy to oblige.
The birth of Antony Alfred Geoffrey Guest (he didn’t use his rather splendid middle names for chess purposes) was registered in the second quarter of 1856 in Staines, Middlesex. His father Augustus was a schoolmaster, classicist and artist, the son of Thomas Douglas Guest. His mother Phoebe, also known as Elizabeth or Mary, was the daughter of refugees, originally from Eastern Europe, but who had arrived via Denmark. Although she was born in the Jewish faith she later converted to Christianity.
Antony was baptised by cricketing clergyman Henry Vigne in St Mary’s Church Sunbury on June 18 that year. Entirely coincidentally, I visited that church recently and took a few photographs.
I don’t know the age of the font on the left: the inscription records when it was moved, not when it was installed, but I’d guess it wasn’t the one in which baby Antony was baptised.
By 1861 the family, now joined by Isabella Katherine Celia Guest (who would later be known as Katherine or Kate), had moved to Thayer Street in central London, conveniently situated just a few yards from the Chess & Bridge Shop in Baker Street.
But on 20 June 1864 Augustus was admitted to Grove Hall Lunatic Asylum, where he died on 19 March 1866. The family were now struggling to maintain their previously affluent lifestyle, and Antony had to leave school early. By 1871 he was working as a clerk, while his mother was now a lodging-house keeper. Isabella was, for some reason, visiting a carter’s family in Hampshire.
Meanwhile, Phoebe’s three brothers, Abraham (who changed his name to Alfred Lionel), Henry and Maurice had emigrated to Australia in the 1850s, seeking their fortune in the Gold Rush.
Henry, in particular, did very well for himself. After visiting the gold fields he took a job in public service, later rising to become Registrar-General of Victoria as well as attaining the rank of Major in the volunteer forces.
It was Uncle Alfred who was the recipient of Antony’s surviving (in transcript) letters.
The first letter Ralph has is from July 1874.
Circumstances have gone very hard with us of late, my mother has been very ill lately, and has been unwell for the last two years, and find it very very difficult to make ends meet-, especially since food and other necessities have become so dear, a little assistance therefore now and then would be a very great comfort to her.
In October he wrote again with the sad news that his mother had died of gastric (typhoid) fever the previous month.
My poor mother left her affairs in a very unsettled condition, her debts amounting to nearly 70 pounds, and my sister and myself would be greatly obliged to you or our uncle Henry for any assistance you could give us.
In December he informed Uncle Alfred that he had moved into a boarding house and his employer had lent him enough money to pay off his mother’s debts, but it appears that his family in Australia had been unable to help financially.
Ralph’s final letter, from April the following year, sees Antony telling his uncle that his prospects were now good, but thanking him for his offer of a home in Australia for his ‘delicate’ sister Isabella. If she took up the offer she wasn’t there long as she was back in England by 1881.
Here, then, was a formerly prosperous family that, due to illness and death, and perhaps also financial mismanagement, had hit hard times. Young Antony was doing his best to sort things out.
He also developed an interest in chess, watching one of the games in the 1876 match between Steinitz and Blackburne, and remembering, almost a quarter of a century later, how deeply absorbed he was.
We next pick him up in 1880, when he applied to become a member of the London Stock Exchange. The 1881 census found him on holiday at the Grand Hotel in Brighton, giving his occupation as Stock Jobber. A Stock Jobber was a private trader in stocks and shares, as opposed to a Stock Broker who worked for clients. The Grand Hotel, according to Wikipedia, “was intended for members of the upper classes visiting the town and remains one of Brighton’s most expensive hotels”. He’d clearly turned round his family fortunes, then.
By this time, Antony was spending much of his spare time frequenting Purssell’s and other places where the game was played socially.
He also acquired a new job, as a journalist for the Morning Post, a Conservative daily newspaper which would be taken over by the Daily Telegraph in 1937. In 1883 a major international tournament took place in London and Antony was dispatched to report on it. His reports must have proved very popular as the paper commissioned him to start a weekly column, beginning on 28 May 1883.
The column would typically include a problem (sometimes two) for solving, a list of successful solvers of the problem from two weeks earlier, a game, either contemporary or historical, news from home and abroad, answers to readers’ questions and, on occasion, book reviews, such as this one.
Morning Post 16 July 1883
Guest was always very enthusiastic about promoting chess for ladies, so would have been pleased to support Miss Beechey‘s venture.
Although he was not yet playing in public, he started publishing a few of his own games later in the year. Here he gave his opponent odds of pawn and move (he played black without his f-pawn). As always, click on any move in the game for a pop-up window.
By 1884 he had also started to compose problems, at first in collaboration with future BCF President John Thursby.
You’ll find the solution to all problems at the end of the article.
Problem 1. #3 A Guest & J Thursby Morning Post 26-05-1884
At the same time he played in public for the first time, in a handicap tournament at Simpson’s. Here he was accepting odds of pawn and move from the masters, who, in his section, were Blackburne and Gunsberg. He won his section with 7½/9, but was beaten by Mason, also giving him odds, in the play-off between the winners of the two sections.
Buoyed by this success he took part in his first master tournament, an event run by the British Chess Association in London. His performance, considering his lack of experience, was rather remarkable.
Gunsberg, as expected, ran out a comfortable winner with 14/15, but Guest shared second place with Bird on 12/15.
In his game against Wainwright (see earlier Minor Pieces) he gave up the exchange in the opening but later trapped his opponent’s queen.
He won very quickly against Hewitt, who wasn’t given the chance to recover from a hesitation in the opening.
This was a most auspicious debut for a relatively young (by the standards of the day) player. It was probably anticipated that he would have a big future in master chess, but, as it turned out, his first high level tournament would also be his best result.
Later that year Guest was involved in an interesting debate with John Ruskin.
Morning Post 14 September 1885
The debate as to whether chess should be on the school curriculum is still going on today, almost 140 years later. Unlike many of my colleagues in the world of junior chess, I’m very much in agreement with Guest here. Ralph Jackson shares our views.
Here’s another problem, this time a joint composition with Louis Desanges.
Problem 2. #3 A Guest & L Desanges Morning Post 16-11-1885
On the same day that this problem was published there was some important news.
Morning Post 16 November 1885
A few months later the new club ran a master tournament in which Guest took part, but this time he was much less successful, only scoring 2/7, well behind Blackburne (6½), Bird and Gunsberg (both 5), and not helped by defaulting his game against Pollock.
I’m not sure whether or not this game was played in the tournament. Guest attempted to play like Steinitz, but it didn’t end well.
He had better luck later in the year in the British Chess Association Amateur Championship, which was won by Gattie (15/18), Guest sharing second place with previous Minor Piece subjects Hooke and Wainwright on 13½/18.
Guest’s next tournament was towards the end of 1887: the British Chess Association Congress in London. He had originally entered a lower section, but, on the withdrawal of Skipworth, was, at the last minute, promoted to the master section, where he would face the likes of Blackburne, Burn, Gunsberg and the ailing Zukertort.
He got off to a flying start, winning his first three games, against Bird, Pollock and the perpetual backmarker Mortimer.
His game against Pollock wasn’t short of excitement. He defended the Evans Gambit and, after various adventures, his extra pawn on the queenside eventually turned into a queen.
In Round 3 Guest sacrificed two rooks to win Mortimer’s queen. He miscalculated some later tactics, but his opponent failed to take advantage.
After a loss to Lee in the fourth round, his fifth round opponent, Mason, failed to arrive because he had confused the start time. Guest was originally awarded a win by default, but it was later decided that the game should be replayed, Mason winning.
He then lost his last four games against some of the world’s strongest players.
Against Burn he played a totally unsound Greek Gift sacrifice in this position, overlooking Black’s diagonal defence.
The game continued 9. Bxh7+? Kxh7 10. Ng5+ Kg8 and now he must have realised that 11. Qh5 fails to Bf5, while the move he tried, Qd3+, failed to g6. Regular Minor Piece readers will recall Locock making the same mistake.
Here’s the tournament crosstable.
In August 1888 the British Chess Association Amateur Championship took place in Bradford. I’m not sure how ‘amateur’ was defined (Guest was a professional chess journalist, but not a professional player), but the 1888 event was a rather weak affair compared to other years, notable for the participation of Eliza Thorold in days when ladies very rarely competed against gentlemen. There was a master tournament taking place at the same time in which some of the stronger amateurs, such as Charles Dealtry Locock, participated. Guest won with a score of 10/12, just half a point ahead of 20-year-old Bradford born mathematician George Adolphus Schott, who, however, defeated him in their individual game.
In this game, winning his opponent’s IQP proved decisive.
The Field 01 September 1888
In August 1889 Antony Guest reported some important news. A lady had won the championship of the Bristol and Clifton Chess Club.
Morning Post 19 August 1889
“There is no reason why (ladies) should not excel at the game.” Guest’s views, propounded in a Conservative-leaning newspaper, were quite enlightened for his day. It was not until 1895, though, that another – very successful – Ladies’ Chess Club was started.
In November and December 1889 the British Chess Association Masters and Amateur tournaments took place consecutively rather than simultaneously in London, so George Wainwright was able to play in both events, while Guest only took part in the latter event. In those days games in amateur tournaments were played on a fairly casual basis with games often being postponed when one of the players was unavailable.
It seems that this event ground to a halt just before Christmas once Wainwright had guaranteed victory. Several of the other players, including Guest, had been too busy to play many of their games.
It’s not known whether any further games were played after this incomplete crosstable was published.
The Field 21 December 1889
As you’ll see, Guest was the only player to beat Wainwright, in an opening variation still topical today.
He made a tactical oversight in his game against Thomas Gibbons. His opponent, a disciple of Bird, opened with 1. f4 and sacrificed a pawn on the kingside for nebulous attacking chances.
In this position, 25… Ne7 would have kept him well in control, but he erred by playing 25… Be7? 26. Rdg1! Qxh4? 27. Rxg7+ Kh8 28. Qxf5!!, after which he had to resign.
From here on, Antony Guest was playing less frequently, perhaps by choice, or perhaps because he was too busy with other activities.
The 1891 census found Guest and his fellow chess journalist Leopold Hoffer living in lodgings in Fulham Road, right by Stamford Bridge stadium, which would, in 1905, become the home of the newly founded Chelsea FC.
Just look at the name of their next door neighbour.
Yes, there he is: Raymond Keene. Not, to the best of my knowledge, related to his grandmaster and author namesake, although this Raymond’s son and grandson were also named Raymond Keene.
In an 1891 club match Guest’s temporary queen sacrifice brought victory against a strong opponent who really should have spared himself the last 20 moves.
Later that year, Guest and Hoffer were both involved in a telephone chess match against Liverpool.
Daily News (London) 14 December 1891
Liverpool won the first game, while the second game resulted in a draw.
In August 1892 Guest returned to tournament chess, taking part in the Counties Chess Association tournament in Brighton.
It didn’t go well.
Illustrated Sporting and Dramatic News 13 August 1892
George MacDonnell was particularly scathing about his performance.
Illustrated Sporting and Dramatic News 13 August 1892
He should make due preparation and exert himself to the utmost. He didn’t pull his punches, did he?
Guest went horribly wrong on move 10 against the eventual winner.
But he did manage to win a nice minature against Lambert.
The following month he reached this position in a game at Simpson’s against OC Müller.
Here, Guest played 27. Qg6!, an offer which can’t be accepted, and threatening Qxh7+, an offer which can’t be refused. Black should now play 27… h6, when the game is likely to be drawn by perpetual check after 28. Rh3 and a later Rxh6+. Instead he erred with 27… Bg2?, and had to resign after 28. Rg4, as h6 would be met by Rxg2.
This scathing criticism of his play in Brighton didn’t stop him playing in club matches, such as this one against Twickenham.
The Field 21 January 1893
You can read more about the Humphreys family here and about Guest’s opponent here.
He was also playing for Metropolitan, here losing a brilliancy against one of the ‘fighting reverends’. He really should have known his chess history, though. Wayte reached a winning position from the opening by transposing into a very well known predecessor.
By now Antony Guest had resumed his problem composing career, now without collaborators.
Problem 3. #3 A Guest Morning Post 1893
(Source given in MESON: however I wasn’t able to find it in a quick look to identify the date of publication.)
Problem 4. #3 A Guest Illustrated London News 25-08-1894
In 1895 he took part in the cable match between the British and Manhattan Chess Clubs, where he faced John ‘Paddy’ Ryan, capable, according to the press, of producing ‘startling brilliancies’.
Here, Ryan punted the speculative 21… Bxh3!?. What do you think? We’ll never find out what would have happened as at that point time was called and the game declared drawn.
The Ladies’ Chess Club had been founded in January 1895, and Guest used his Morning Post column to promote their activities. He was invited to give a simul at their prizegiving ceremony.
Morning Post 29 July 1895
Approaching his 40th birthday, it might have seemed like Antony Guest was a confirmed bachelor, but in 1896 he married Violet Harrington Wyman, some eleven years his junior. Violet’s brother Harrington Edward Hodson Wyman, was a knight odds player at the British Chess Club, later becoming vice-president of Ealing Chess Club. Her family firm were the publishers of Mortimer’s The Chess-Player’s Pocket Book.
In January 1897 Guest returned to tournament chess, playing in a ten-player selection tournament for that year’s Anglo-American cable match. Again he failed to complete the event, withdrawing after only three games, two losses and a win against Herbert Jacobs. Whether or not this was due solely to pressure of work is unclear.
This would be his last tournament, although he continued playing club chess. His performances, as you can see here (taken from EdoChess), show a steady downward trajectory after a promising start.
The year 1897 was significant for the publication of FR Gittins’ volume The Chess Bouquet.
As one of the Chief Chess Editors of the United Kingdom, Guest certainly qualified for inclusion.
We’re offered a photograph, a biography, a game (against Pollock, see above) and two problems. Here’s how Gittins describes him.
Physically, Mr. Guest is a perfect giant, his towering form and splendid proportions being well in evidence at the recent Hastings Festival. Socially, he is one of the best, full of bonhomie and good humour.
This is a charming mate in 2, which, unfortunately, had been anticipated by Conrad Bayer, who had published a mirror image back in 1865. It’s been reprinted on a number of occasions over the years.
Problem 5. #2 A Guest The Chess Bouquet 1897
The second problem, number 3 above, was unfortunately given with a missing pawn on c7, allowing an unwanted second solution.
He wasn’t the only Guest in The Chess Bouquet. There were also entries for Black Country problemists Thomas Guest and his son Francis Hubert Guest, who were not, as far as I can tell, related to Antony.
Here’s an exciting game played at Simpson’s against a French opponent.
Although now retired from tournament play, Guest was still making occasional appearances in consultation games, and club and county matches, both over the board and by correspondence. He was also publishing the occasional problem, such as this one, from 1900.
Problem 6. #3 A Guest Morning Post 12-03-1900
Later that year, Guest wrote a very interesting article entitled Steinitz and Other Chess-Players, first published in The Contemporary Review, and later republished in the USA in The Living Age.
The last three paragraphs, which take a broader social view of the game, are those which interest me most.
Here he is, celebrating the increasing popularity of chess among the working classes.
The present extraordinary growth of the popularity of the game must surely have some significance. Many of the players are young men engaged in offices, shops and factories; that their numbers include several clergymen, doctors, lawyers and members of other professions is not so remarkable. What strikes me as important is that so many young clerks, and others of similar occupation, should find their chief recreation, at least in the winter months, in the game of chess.
And here again on the artistic side of chess.
But I believe that in most of us there is some kind of artistic instinct, some aesthetic tendency, that finds no outlet in the humdrum of everyday life. If this is true it would sufficiently account for the increasing popularity of chess, for it is an art as well as a game. Its intricacies and combinations are capable of affording aesthetic delight that may be compared with the emotions produced by poetry, pictures or music — different, no doubt, but, to many, similarly sufficing. One need not be an expert to enjoy the pleasure of play; to the beginner it is like a voyage through an unknown country teeming with beautiful surprises. Every sitting reveals some new and captivating feature, suggests some tempting path, or affords some hint as to the best mode of pursuing the journey.
They don’t write them like that any more, do they?
You can read the whole article, along with the chapter about Guest in The Chess Bouquet, in this excellent article by Batgirl (Sarah Beth Cohen).
In 1901 it was time for another census. Strangely, Mr & Mrs Guest were not together. Antony was lodging in Bayswater, while Violet and her parents were lodging in Hastings, perhaps on holiday together.
He returned to the social aspect of chess in a 1901 article explaining how chess can build friendships between people of different nationalities.
Bromley and West Kent Telegraph 12 October 1901
For a few years now, Guest seemed, apart from his column, to stop both playing and composing, only resuming in 1907.
In this game against G Freeman from a Surrey v Essex county match he built up a strong attack from the King’s Gambit Declined.
Black had just blundered and now the rather neat 23. Rf5! forced resignation.
Problem 7. #3 A Guest Morning Post 12-08-1907
His game annotations were also being syndicated across various newspapers.
In July 1909 Antony Guest was honoured to be the subject of a feature in the British Chess Magazine, who published a photograph along with a biographical sketch contributed by Frank Preston Wildman.
Problem 8. #3 A Guest British Chess Magazine 07-1907
At some point during this decade, Antony and Violet moved out to 1 Anglesea Road, Kingston, alongside the Thames half way between Kingston and Surbiton. This was a sizeable property, with 12 rooms excluding bathrooms. (I’m not sure whether or not it was the white building you can see behind the trees, which is now Anglesea Lodge, 28 Portsmouth Road.)
This is the view from the Barge Walk on the other side of the river.
The 1911 census found them there, along with two servants, William and Marie Wilkins, a married couple of about their age, and the Wilkins’ teenage daughter Elsie.
Guest decided to join Surbiton Chess Club, playing in this match against Wimbledon.
Wimbledon News 23 December 1911
He was now becoming less active in the chess world, but in 1914 had the opportunity to express his views again on chess for schoolboys.
Cork Weekly News 25 July 1914
“In opening the way to friendships the practice of chess is very valuable to young men.”
I totally agree, although these days we might want to refer to young people instead. It worked for me, anyway.
Guest’s column continued through the war, although there was little chess action to report.
Here, he took the lack of competitive chess during the hostilities to promote the value of social chess in promoting friendship.
Cheltenham Chronicle 15 January 1916
His wife Violet sadly died in February 1921. That June the 1921 census found him still the head of the household at 1 Anglesea Road, and still working as a journalist. There was a resident housekeeper, but most of the property was taken up by motor builder John Bambury, who ran his own business in Kingston, along with his wife and five children aged between 17 and 22.
Guest was still seen regularly at major events such as Hastings and the British Championship, but by the 1924-25 Hastings Congress he was clearly in poor health and died after an operation on 29 January.
Linlithgowshire Gazette 13 February 1925
He didn’t leave that much money, compared to Hamilton Brooke Guernsey, one of whose administrators, Leslie Dewing, – one for coincidence lovers here – would have seen him at Hastings four weeks earlier, where he lost all his games in the Premier Section 1. (Coincidentally again, or perhaps not, there’s currently a marketing agency in Guernsey called Hamilton Brooke.)
The Morning Post was far from being Guest’s only chess outlet. At various times, according to Tim Harding in British Chess Literature to 1914, he also wrote columns for the Illustrated Sporting and Dramatic News, the Daily News, Cassell’s Saturday Journal, Life and Tinsley’s Magazine.
Nor was chess the only subject on which he wrote. In 1891 Guest and barrister Sylvain Mayer co-authored Captured in Court, a novel with a legal setting. Some of the reviews were pretty harsh. “It is very unlikely to add to the reputation of either as story writers”, according to the Glasgow Herald. “… the bundle of incidents which does duty for a plot is as amateurish as the style”, proclaimed the National Observer. According to the Weekly Dispatch, “The plot is preposterous and the dialogue inane”. Preposterous plots and inane dialogues were perhaps more suitable for children’s literature, and, from 1895 onwards, he contributed to collections of short stories alongside such authors as E(dith) Nesbit, still much loved and remembered today for books such as The Railway Children.
In 1896 Antony Guest contributed an article on Some Old English Games to The Badminton Magazine of Sports and Pastimes, describing games such as Pall Mall and Shuffleboard, illustrated by Albert Ludovici., followed by More Notes on Old English Games a year later, this time including Bandy-Ball and Nine Men’s Morris.
In the early 20th century he developed (pun not intended) an interest in photography, and in 1907 his book Art and the Camera was published by G Bell and Sons, who of course also published chess books.
Morning Post 10 August 1907
This time the critics were unanimous in their praise. Modern reprints are readily available should you wish to read it.
In 1910 he turned his attention from cameras to cancer.
London Evening Standard 15 March 1910
It’s still a hot topic today, and the evidence is still inconclusive.
A man of many interests, as well as chess, then. Polymaths were probably more common then than now.
There are a couple of family issues to clear up.
Antony and Violet had no children. His sister (Isabella) Katherine married a wealthy man named Robert Edward McLeod in 1883. Robert’s brother Bentley was a chess player, representing Surrey, Brixton and Metropolitan, through the last of which he would have known Antony. Robert died in 1893, leaving his wife with two young children. Neither of them had children, so that was the end of Augustus Guest’s family. Katherine died, like her father, in a mental hospital, in Brighton in 1941.
To find Antony’s closest relations, then, we have to travel to Australia. Henry, whom you met at the start of this article, returned to England with some of his many children after his retirement. The family was hit by tragedy when his daughter Helen died in 1907. Helen and her older sister Ethel were very close, and, 18 months later, Ethel, suffering from depression as a result of the loss of her beloved sister, took her own life. There were mental health problems, then, on both sides of the Guest family.
Henry’s son Stanley later returned to Australia, married and had six children, the youngest of whom, Marisa, born in 1929, is still alive. Marisa, the closest surviving relation of Antony Guest, is the mother of Ralph Jackson.
One of the wonderful things about chess is that, even if playing competitive chess doesn’t appeal to you, there are many other ways of living your life through your favourite game. For Guest’s contemporary and acquaintance Charles Dealtry Locock it was through problems, writing and, in the last period of his life, teaching. For Antony Guest himself, it was as a journalist and occasional problemist. His record of almost 42 years might pale in comparison with Leonard Barden’s records, but it’s still very impressive. You can see a lot in common: both strong players who, finding competition a little bit too stressful, concentrated on their, in both cases, excellent newspaper columns, and perhaps did far more good in promoting chess in that way than they would have done by just playing.
He was in many ways a man ahead of his time as well. Although he wrote for a conservative newspaper, he was always very keen to promote chess for ladies, for the lower middle and working classes, and for schoolboys (it would be left to Locock to include schoolgirls). He also promoted chess for recreational and social reasons, to establish friendships on a local, national and international basis. I couldn’t agree more. Ralph Jackson is very lucky to be able to count Antony Guest as a close relation.
Problem Solutions:
Problem 1:
Problem 2:
Problem 3:
Problem 4:
Problem 5.
Problem 6.
Problem 7.
Problem 8.
Acknowledgements and sources.
Ralph Jackson – private correspondence
Batgirl (Sarah Beth Cohen) articles on Guest and Donisthorpe at chess.com
Krone Family website here
ancestry.co.uk
findmypast.co.uk/British Newspaper Library
ChessBase/MegaBase2023/Stockfish16.1
chessgames.com (Antony Guest here)
EdoChess (Antony Guest here) British Chess Literature to 1914 (Tim Harding) The Chess Bouquet (FR Gittins) British Chess Magazine July 1909 (thanks to John Upham)
Wikipedia
Yet Another Chess Problem Database
MESON Chess Problem Database
“There are many books devoted to basic endgames, even from the Middle Ages. Principles of typical endgames (such as keeping the rook behind a passed pawn, not setting pawns on the same colored squares as your bishop’s, distant pawns being more dangerous than central ones etc.) are well known too. But what about “complex endgames”? I have in mind endgames with at least two pieces on each side; well I don’t find them often nor sufficiently well-explained in the past! It is exactly this fact (together with my passion and great endgame experience) that has motivated me to write this book (many friends simply call me “Endgame Wizard” ).
Over two decades of working as a coach has confirmed my opinion that endgames are the biggest problem for young players. Today, in the computer era with a lot of information easily provided, youngsters all over the world rather play blitz, or solve some tactical puzzles in a manner that is “the faster the better” (or even spend time on some other chess disciplines). All of this neglects the basis of chess – the importance of endgames! It is not uncommon that everyday you can be witness to some strange endgame misunderstanding, even at the top level.
This is why I consider some of my favorite endgame books based on logic as the best I’ve ever read – I learned the endgame from some of the best endgame players and authors. And this is why I want to fill that gap in chess literature and to share my devotion, ideas, principles, opinions with you! I hope you will enjoy this material and I am pretty sure you will broaden your endgame horizons.”
About the author:
Born in Cuprija, Serbia, 05 August 1977
Started chess at four years old watching father and his brother playing
Entered first chess club “Radnicki” Cuprija at seven
Fide Master in 1994
Serbian youth champion in 1995
Champion of the Belgrade University in 2001 and 2002
Won countless times the Serbian team championship (in youth competition as well)
IM since 2014
FIDE TRAINER since 2015
Winner of many open, blitz, rapid and internet events
Professional coach for more than 15 years
Author and contributor for American Chess Magazine since 2019
This is his 4th book for Thinkers Publishing.
From the back cover:
IM Zlatanovic will bring something new to your chess library. In our computer era, focus is usually on openings. Watching recent broadcasts, the new generation would rather choose games of a certain opening and look for an interesting idea or even a brilliant novelty. I offer, and recommend, a different concept altogether, based on the famous Soviet school of chess. The focus should be on understanding strategical concepts, principles and underlying logic. Fashionable opening lines will be forgotten (or re-evaluated) sooner or later, but understanding cannot be lost, and can only be upgraded. It is sad to see some players that are well equipped with opening lines, who are unable to realise a big positional advantage in an endgame. So, our advice is con concentrate on Strategy and Logic.
This new series of books are highly recommended for club players, advanced players and masters, although even higher rated players may also find it useful! There is no doubt that lower rated players will learn a lot about thinking processes and decision making, while some logical principles can be put to use by more advanced players too.
What is an endgame? Engines tend to tell you you’re in the endgame when neither player has more than two major/minor pieces on the board. You might, of course, consider BNN v BNN to be more like an ending than QR v QR. Me, I have no very strong views on the subject. Zlatanovic seems to take a very broad view of what constitutes an ending.
This, then, is a practical, rather than a theoretical book. If you want to know how to play KRB v KR, for example, you’ll need to look elsewhere. We have 188 positions, all of which start with at least two major/minor pieces, many with three, and some with almost the whole complement of pieces. Most of the positions come without queens. So what we have here is something much more than just an endgame manual. You could see it as a guide to positional play in the late middlegame, or even, in some cases, the opening.
The range of sources is impressively wide: from Steinitz in 1883 through to Zlatanovic himself in 2021. From grandmasters to amateurs. From world championship matches to online blitz games. While there are a few very familiar examples (although they’ll always be new to somebody) there will be a lot which you almost certainly won’t have seen before. Here, then, is an author, unlike many who only use a small number of sources for their books, who clearly has an exceptional knowledge of chess and its literature.
He explains in the preface that he has divided the material into 15 chapters, starting with the most important principles and gradually moving on to the most specific principles.
We have:
The Center
The Active King
Open Files
The Bishop Pair
Activity & Harmony
Space Advantage
Key Squares
Pawn Majority
Pawn Weaknesses
Two Weaknesses & Playing on Both Sides
Opposite-Colored Bishops
Exchange Problems
Do Not Rush
Schematic Thinking
Restriction & Prophylaxis
These chapters represent an increasingly important aspect of chess. Even relatively low rated amateurs these days can play the opening well and avoid tactical oversights in relatively simple positions. Incremental time limits mean that games are more likely to be decided by positional factors in the ending than in the days of mad time scrambles or, when I was learning the game, by the adjudicator.
I’d suggest, then, that this could be a very valuable book for anyone of average club standard or above wanting to improve their game. Let’s take a look inside.
Each chapter starts with a brief introduction. Here, as a fairly random example, is that for Chapter 8 (Pawn Majority).
Of course the natural goal of pawn play is the creation of a passed pawn and its promotion! However, this does not happen often!
The logical prerequisite to creating a passed pawn is to have a majority. Of course, with balanced material there would be majorities for both players, on different wings. Which majority is better? Well generally, it is clear that a 2:1 majority is “the best one”. Not only because it can easily create a passer, but even more importantly, it is because of the fact that the passer will be a distant one – it should deflect the opponent’s army (and king!) which would lead to progress and to gaining material on the opposite flank!
You may have already seen this approach a multitude of times. However what about other majorities? Is a 3:2 always better than a 4:3 majority? What about doubled pawns? What about exchanging pieces? Is it better to have more or fewer pieces kept on the board in a situation with mutual majorities? All these answers can be found in this chapter. And a lot of others besides!
I’ll quickly show you a few of Zlatanovic’s examples.
This is Botvinnik – Rabinovich (Leningrad 1934).
Let’s start this chapter with a relatively simple example. White has the better majority – 3:2, which is usually better than 4:3. However the point is that Black has separated a- and c-pawns and it looks like the majority will soon transform to an even better version for White: 2:1.
Later in the chapter: Smyslov – Szabo (Hastings 1955).
White is dominant although it may look as if Black is okay. White’s queenside majority is the key positional factor here, especially after fixing the b7-pawn. Black cannot easily advance it to b6 because of c6, and even exchanging it would create the a-passer. With his next move White opens up the key diagonal and attacks b7.
For my final example, we’re still in the opening, with most of the pieces still on the board. White has to decide on his 12th move in Erenburg – Murariu (Las Palmas 2003).
Here is a more complex example. White has many advantages: better development, more space and a better majority. However the advantage is not large. Black hasn’t made a single bad move – he is ready to place his king on e7 and finish development soon. In such situations active play is extremely important.
Is this position really an ending? Probably not. Does it matter? Again, probably not. If you want to see what happened next in these games, along with Zlatanovic’s explanations you’ll have to buy the book.
You might think the title is slightly misleading, and I might well agree with you, although I’m not sure I could come up with anything better. In some respects this is a modern book on a modern subject but in other respects it might be seem as slightly old-fashioned, and perhaps none the worse for that. The annotations throughout are based on practical considerations rather than computer analysis. Whereas other publishers promote active learning by offering puzzles at the start of each chapter or stopping to ask questions after every few moves, there’s nothing of that nature here.
You could just read the book, or, if you prefer, cover up the moves and try to guess the continuation. You could also set up the positions and play them out against a training partner, your chess coach or a computer.
The production standards are high, although, as you might have realised from the brief quotes above, the English is not always as idiomatic as one might like. There’s also some inconsistency in naming conventions – sometimes using just the player’s initial, sometimes the first name, sometimes also the middle initial and sometimes the full name. It probably won’t bother you but I find that sort of thing slightly annoying. The book also, inevitably, fails the Yates test (he was Fred Dewhirst, not Frederick Dewhurst). We have an index of games at the end, but an index of players might also have been useful.
In spite of these minor reservations I really enjoyed this book and think that, if you’re an above average club standard player, it will add an extra dimension to your play. Even stronger players will, I suspect, find much of value as well. I’d also consider it an invaluable resource for chess coaches working at this level: it’s evident from the book that the author must be an outstanding teacher.
Zlatanovic has clearly put an enormous amount of thought into how the book should be structured and done a lot of research into finding the most suitable examples to include, and should be congratulated on having produced an excellent book. If you agree with him (as I do) that, at least at club level, understanding is much more important than memory, I’d recommend you to take a look.
Jack Redon was one of the elder statesmen at Richmond & Twickenham Chess Club for the first 20 years or so of my membership. On completing my studies in 1972 I joined the committee and got to know him well.
Jack was a pretty strong player who was known for his artistic interests. He was a commercial artist by profession, designing things like LP sleeves, but had a particular interest in amateur dramatics and seemed to be involved with every artistic society in the area.
He seemed to live a life of some affluence, sharing a large Victorian house near Richmond Bridge with his wife and sister. Richmond Junior Chess Club would later spend many years in another large house on the same estate, which had been converted into a community centre.
(I also visited the house regularly years later, to teach a chess pupil whose name, coincidentally, was also Jack.)
If you have an interest in 19th century domestic architecture it’s well worth a stroll round these roads. You can also read more about the Twickenham Park estate here and here.
The distinguished poet John Greening also knew Jack very well at about this time, describing him well in a memoir.
He was indeed an extraordinary man, full of wise saws and anecdotes. He did tend to repeat them time and time again at every committee meeting, but, given his age and seniority within the club, we forgave him his eccentricities. He generously made his residence available for these meetings in the mid 1970s, and, when one of our younger members suggested we might meet in a pub instead, he didn’t take kindly to the idea.
While John Greening recalls the unperformed playscripts, I recall the skirting boards being lined with paintings, which, like his plays, were created for his own pleasure rather than for profit. My recollection is that they may well have been in the style of Odilon Redon: and he also told us that he was Odilon’s great nephew. But was it true?
Almost certainly not. Odilon (Wiki) came from a wealthy slave-trading family and, although born in Bordeaux, was conceived in New Orleans, like Paul Morphy the son of a Creole mother. Jack’s family background was very different. It has little to do with chess, so if you want to see some moves you’ll have to jump ahead, but if you’re interested in social history you’ll want to read on. Or even Redon!
Redon is a rather unusual French surname specifically associated with the South West of the country. But let me take you back more than 300 years, to 1722. We have a record of a clandestine marriage for one Peter Redon, a weaver living in Stepney. If you see a weaver with a French surname in that part of London at that time you’ll probably assume that he was a Huguenot. Maybe, but Jack’s ancestors later embraced the Jewish religion, calling their children Elias, Abraham and Reuben, Leah, Esther, Rachel and Rebecca.
By 1798 the Redons had crossed the river to Southwark, where Elias (a labourer) and his wife Rachel were accused of running a brothel. In 1839 Abraham Redon, perhaps a son of Elias and Rachel, was on the other side of the law, a victim of a crime. He was working as a toll collector at the Cambridge Heath tollgate in Hackney and, while he was sleeping, two of his assistants, Henry Walker and John Hollingshead, stole his takings. Both were found guilty at the Old Bailey and sent to prison.
In the 1841 census we have John and Leah Redon, along with their children Alfred (20) and Esther (15), living in Woolwich, with John working as a toll collector. Alfred’s occupation is not legible, but certainly not ‘toll collector’. Woolwich is not all that near Hackney. Alfred was actually Abraham Alfred, so was John actually Abraham John, or were Abraham and John brothers sharing an occupation?
Esther, who had an illegitimate daughter, spent much of her later years in and out of the workhouse, their records describing her as a Jewess. Abraham Alfred, showing the first sign of artistic talent in the family, worked as a painter and signwriter. He married Rose Sawyer in about 1854 (or perhaps he didn’t: I haven’t been able to find a marriage record), but, tragically, none of their first six children lived to see their seventh birthday. Their two youngest sons did survive, though: John Edward, born in 1867 (baptised in the Church of England) and Reuben Alfred, born in 1869. Rose died in 1887, and by the time of the 1891 census Abraham Alfred, unable to look after himself in old age, was in the workhouse, where he died the following year.
So far, the Redon family history is one of poverty and tragedy, very different from the affluent environment in which their namesake Odilon grew up. But Jack gave the impression of being fairly affluent himself. What happened to change the family’s fortunes?
Reuben Edward Redon, continuing the family’s artistic tradition, making a living first as a glass embosser (in 1901 he was living in the road running alongside my old school, Latymer Upper), and later as a designer of showcards, running a business in Harrow for several years.
Harrow Observer 22 September 1911
He was married, but had no children, and died, by that time living near his brother in Peckham, in 1927.
We need to follow John Edward Redon and see what happened in his life. In 1871 he was in Manor Place, Walworth (just south of Elephant and Castle) with his parents, brother and aunt. In 1881 the family were still at the same address: John had left school and was working as an office boy. In 1891, his mother having died and his father in the workhouse, the two brothers were living in a boarding house near the Old Kent Road, the cheapest place on the Monopoly board. John was now, following in his father’s footsteps, working as a signwriter.
By the 1901 census John was working as a clerk for London County Council, and boarding just south of Waterloo Station, right by Westminster Bridge. Also there was a dressmaker named Bessie Emma Varney, and, in October that year they married. Bessie’s family seems to have been London working class, and, her mother having died when she was only 5 years old, she and her younger sister were brought up by relatives. John and Bessie had three children, René Bessie (1902), John Edward, named after his father, who would always be known as Jack (1905) and Reuben Ernest (1908-1912).
At some point, I’d guess from circumstantial evidence, round about 1903, John left his job with the council and formed a partnership with Danzig born Charles Ernest Rokicki. They started two companies, a moneylending business based at John’s home address in Lambeth, and a shop in the Old Kent Road.
In 1907, John, like his grandfather before him, fell victim to a robbery when a habitual criminal named Reuben Vaughan (there are a lot of Reubens in this story) paid for a gramophone and 46 records using a forged cheque, receiving a sentence of six years penal servitude.
Their partnership was dissolved in 1910, with John apparently buying his partner out.
London Gazette 5 July 1910
The family business of Musical Instrument and Cycle Factors and General Furnishers must have been successful. In 1911 they were living above their Old Kent Road shop. John, perhaps no longer involved in the moneylending business, was described as a Dealer in Musical Instruments (Gramophones), while Bessie was assisting in the business. They were able to afford to employ a Domestic Servant (Mother’s Help) to give Bessie a hand in looking after the children. Young Reuben, sadly, would die the following year.
Within the space of two decades the family had gone from workhouse poverty to employing a servant. At some point between 1911 and 1921 they moved their shop to 185 Queen’s Road, Peckham.
During the First World War John was called upon to serve his country as a clerk in the Admiralty: he was still there in 1921. Bessie, who seems to have been a remarkably strong and ambitious woman, was running the business on her own, describing herself in the 1921 census as a Music Seller. René had no occupation recorded, although I’d guess she was helping out in the shop, while 16-year-old Jack was a part-time art student.
As well as studying art, Jack was becoming interested in the Art of Chess, joining Battersea Chess Club.
Richmond Herald 29 September 1923
Here he is, in 1923, becoming the second ever winner of the Wernick Cup, which is still, more than a century on, the fourth division of the Surrey individual championship. In 1962 the name of another promising young player, RD Keene would be engraved on the trophy. It’s easy to forget that, in these days of preteen grandmasters, a century ago it was relatively unusual for teenagers to take part in competitive chess against adults.
His would be a solid rather than a meteoric chess career, though, developing into a strong club player who, by 1926, was good enough to be selected for an important county match.
Birmingham Daily Post 11 October 1926
He lost his game, but Surrey’s greater strength on the higher boards saw them through. Crossword addicts will notice an anagram on the other side.
While he continued playing chess, Jack soon took up a new interest, in amateur dramatics, setting up a group in his local church. (By now the family were very much Church of England.)
South London Observer 02 November 1929
You’ll note the name Florence Warden, also known, from what I recall, as Flossie, who was living with her grandmother and step grandfather, having lost her mother in childbirth when she was only one year old.
John died in early 1931, and it’s quite possible that Jack now had to take a greater role in running the family business. He still had time to play chess, though, and by 1935 had reached top board for Battersea.
South Western Star 29 November 1935
He had also reached the top section of the county championship, but in this game from 1937 he was out of his depth against a strong opponent. (For this and all games in this article, click on any move for a pop-up window.)
In this county match game from the same period against an electrician from Brighton, he played an opening gambit and probably didn’t have enough for the pawn, but when he threatened a queen sacrifice his opponent carelessly overlooked it.
and probably didn’t have enough for the pawn, but when he threatened a queen sacrifice his opponent carelessly overlooked it.
The amateur dramatics must have been going well too, as in 1938 he married his fellow thespian Florence Warden.
You’ll immediately note Jack’s artistic signature, appropriately for a member of a family involved in signwriting. There are two other things to note as well. The marriage took place not locally but in the City of London, at St Michael Paternoster Royal, a church associated with Dick Whittington, which had been rebuilt by Sir Christopher Wren after the Great Fire. He gave an address nearby, which, I suspect, was a dummy address enabling him to marry there. You’ll also see that his late father’s occupation was given as Accountant, which doesn’t tie in with other records. Perhaps he did the accounts for the family shop, or maybe it was a euphemism for Moneylender.
His marriage certainly didn’t stop his chess career: at this point he was very active in both club and county chess, winning a prize for one of the best performances in the Battersea first team. If you look at some of the other names here you’ll observe that it was a very strong club at the time.
Streatham News 08 September 1939
Although marriage didn’t stop Jack playing chess, the war did. Just three days before this report appeared, and with war just having broken out, a national registration of the civilian population was taken.
Bessie, now in her late 60s, was still running her shop in Peckham, selling gramophone records, musical instruments and cycles. Jack and Florence were living there as well, as was Florence’s elderly grandmother Matilda, an old age pensioner. Florence had a temporary job operating an Elliott-Fisher bookkeeping machine. Jack was described as a designer of sight tests on glass, etching and stencil cutting.
Most of London’s chess clubs, including Battersea, closed for the duration, so there was little opportunity now for Jack to play chess. Matilda died in 1942, and Bessie in 1943. I presume Jack and René would have inherited the business, selling it and moving, along with Florence, to their new home in Twickenham. They must have done pretty well for themselves: not only were they able to afford a large house in a desirable area, but it seems that they no longer needed to work for a living. Not quite Old Kent Road to Mayfair, but still pretty impressive.
Jack threw himself enthusiastically into his theatre and chess hobbies, which would dominate the rest of his life. In 1944 he was a member of the Twickenham Community Players, writing and producing plays for them, just as he had done back in Peckham. They even met for rehearsals at his house (was he the founder, I wonder), but sought larger premises at the new Georgian Club in Richmond.
Jack joined Kingston and Thames Valley Chess Club, which, like Barnes Village, continued meeting during the war. He also rejoined Battersea, who resumed their activities in 1945, where he would win their club championship in 1960. There was now no active chess club in Richmond or Twickenham, though, and this was something he wanted to change. He started a chess section at the Georgian Club, which had modest beginnings.
Richmond Herald 02 June 1945
Retired schoolmaster Phillip Flower, who lived round the corner from Jack, had been strong enough to play in the Major Open at the 1911 British Championships, as well as the First Class in 1921 and 1922, where his victims included future stars Fairhurst and Buerger. Jacob Zafransky ran (or at least he did in 1939) a radio and cycle shop again just round the corner from Jack: there might have been a work connection as his business was very similar to that of Jack’s family.
By the following year they were able to raise a dozen players for a match against an established club.
Richmond Herald 08 December 1945
Jack had managed to recruit two very strong players for the top boards: eccentric philosopher, schoolteacher and much else Dr JD (John David) Solomon, and civil servant Geoffrey Ashcroft, who, although he lived in East Sheen, was a friend and colleague from Battersea Chess Club. It’s pleasing to see that Reginald Tarrant (and it was lovely to hear from his son-in-law recently) provided a link with the ‘Old Richmond and Kew Club’.
The following March, Jack gave a simultaneous display, which proved very successful.
Richmond Herald 30 March 1946
The prizewinning Miss Nesbitt must have been Violet Ella Nesbitt Kemp, an architect’s daughter, who would, some three decades later, rejoin what was by that point Richmond & Twickenham Chess Club. Remarkably, being born in 1888 and dying in 1992, she lived to the age of 103 . I was led to believe she was an actress, but perhaps only on an amateur basis, which might have been where she met Jack.
In 1947 a match was played against Twickenham Chess Club, which had recently reformed, the previous club of that name having folded some years previously. Richmond seem to have dropped ‘Georgian’ from their name, now established as Richmond Chess Club.
Richmond Herald 01 February 1947
Captain Samuel Ould (a civil servant in 1939, although he always used his military rank from the First World War) provided another link with the previous Richmond and Kew Chess Club, while Ted Fairbrother would remain a member into the 1970s.
A few months later Kingston and Thames Valley Chess Club staged a megamatch against a combined Richmond and Twickenham team (just as they did again in 2022). The Teddington club would have been the NPL, the Sunbury club British Thermostat and the Whitton club perhaps Old Latymerians.
Richmond Herald 14 June 1947
You’ll see that Jack, as their club champion, represented Kingston on this occasion. By beating Blake, who had, many decades earlier, beaten Rev John Owen, who had beaten Morphy, this gave him a Morphy Win number of 3.
Being a member of three chess clubs wasn’t enough for Jack Redon. He also played for Twickenham in the London and Middlesex Leagues. (I haven’t found any online information about the founding of the post-war Twickenham Chess Club, but I suppose he might have been involved.)
Here he is, playing in a match against Uxbridge in 1950.
Uxbridge & W. Drayton Gazette 08 December 1950
His opponent here, Harry Bogdanor, was a rather dodgy pharmacist (see discussion here) and the father of political scientist (and David Cameron’s tutor) Vernon Bogdanor. FG (Griff) Griffiths was still involved with Richmond & Twickenham Chess Club into the early 1970s. I also have an interest in SA Lester, who, I hope, was precision tool maker and amateur musician Sydney Arthur Lester. At any rate he was the only SA Lester I’ve been able to find in the Twickenham area at the time. Perhaps I’ll tell you more in a future article.
Richmond and Twickenham Chess Clubs were clearly working closely together, in 1952 sending a combined team down for a friendly match at Hastings. Jack scored a fortuitous win on top board against an English international.
Hastings and St Leonards Observer 06 September 1952
You’ll notice endgame study expert John Roycroft on Board 2. I ‘m sure AL Fletcher was L Elliott Fletcher, author of Gambits Accepted, and Miss Fletcher his daughter Lesley, who would later marry Richmond & Twickenham Chess Club’s Robert Pinner. I lose to George Anslow in the corresponding fixture in 1974.
In 1954 the team visiting Hastings, although billed just as Twickenham, was quite a lot stronger, seeming to have recruited some players from other Middlesex clubs rather than Richmond for the match.
Hastings and St Leonards Observer 11 September 1954
I don’t know much about Edgar Brown, whose club was sometimes billed as Wembley & Hampstead. He won the RAF Championship and 1944 and shared 1st place in the 1950-51 British Correspondence Championship. Another Twickenham player in this match was was chess administrator and bigamist Alan Stammwitz (see this thread).
Playing on second board in the 1956 Hastings v Twickenham match he defeated a highly respected opponent with an original sacrifice in the Max Lange Attack. Although it wasn’t quite sound, his opponent, a bank official who, like all the best chess players at the time, had retired to Hastings, was unable to cope, rapidly going down in flames.
Throughout this time, Jack remained very active in amateur dramatics. He never had the looks of a leading man, but excelled in comic and character roles. In 1946 his portrayal of Sir Andrew Aguecheek in Twelfth Night was ‘handled with a delightful touch and never over-played’, while in 1949 he was ‘well cast as the cowardly Oswald’ in King Lear. I’m not sure whether that was a compliment or an insult.
Although he was an enthusiastic participant in club and county chess, tournaments were, with one exception, not for him. In 1957 he successfully entered the qualifying tournament for the British Championship, held that year in Plymouth.
In 1956 he’d appeared in the BCF Grading List at 5a, about 2050 Elo, and remained round about that level for several years – a pretty strong amateur who could – and did – hold down a high board in club matches and a low board in county matches.
Here, he found the going tough, finishing on just 3 points out of 11.
He was well beaten in this game, where his opponent exploited his space advantage with a central breakthrough.
He demonstrated his tactical skills in this game, winning with a powerful kingside attack.
You can see him here, the bald-headed gentleman standing in the centre, with Milner-Barry and Franklin seated in front of him
1958 saw a merger between Richmond and Twickenham Chess Clubs. The result, Richmond & Twickenham Chess Club, is still thriving today. I’m not sure what part Jack played in the merger, but he must surely have been involved and given his blessing.
I’m not sure whether or not he was playing for Richmond & Twickenham in this game, a clash between the 1923 and 1962 winners of the Wernick Cup.
A few years later, Ray would treat the opening in more restrained fashion. Here, he gave Jack some difficult chances, but he was unable to take advantage.
It was only a few years later that Keene would publish his first book, Flank Openings, which I bought and eagerly devoured. It influenced my choice of opening when I faced Jack in the 1969 Richmond & Twickenham Club Championship. I called this system, a cross between a Réti and an Orangutan, the Yeti Opening.
It worked well here (I think the opening was never Jack’s strong point) and soon won a piece, but didn’t want to win hard enough against such an illustrious opponent and let him escape with a perpetual check. (If I’d won, as I should have done, it would have given me a Morphy Win number of 4, although I may well have beaten him in a casual game at some point.)
You might assume that chess players with artistic interests would play artistic chess, while those with scientific interests would prefer scientific chess. It doesn’t always work, but it was certainly true of Jack Redon. From the small sample of games here we can see someone who, at least with the white pieces, favoured dashing gambits and sacrifices, which, while not always sound, often worked over the board.
By now well into his sixties, there was inevitably some decline in his playing strength, but he continued to take part in club matches as well as serving on the club committee. In 1981 he designed a new logo for what was then the British Chess Federation.
His beloved wife Florence died in 1985, but he remained on the grading list until 1988, his clubs listed as Richmond Community Centre as well as Richmond & Twickenham. Suffering from dementia, he eventually moved to a care home in nearby Hampton Hill, where he died in 1994 at the age of 89. It appears, although there are some inconsistencies in the records, that his sister René died in Hastings in 1996, bringing an end to that branch of the Redon family.
Jack may not have been, as he believed, or wanted us to believe, the great nephew of Odilon, but I think he was something far more interesting. A man who was fortunate enough to be able spend the last fifty years of his life indulging in his favourite hobbies. He was a very good, but perhaps not brilliant, actor, playwright and artist, but he wrote plays and painted pictures not with the intention of making money but for the sheer joy of doing so. He played chess for many decades for the same reason: not a great player, but certainly a good enough player: champion of Kingston and Battersea, British Championship contender, achievements not to be taken lightly. Perhaps many of us can learn from the way Jack lived his life.
But more than that, he contributed an enormous amount to the local community in Richmond and Twickenham by founding and organising clubs and societies so that others had the opportunity to share his passions, and, through them, form friendships and enhance their lives. I believe that hobby clubs, whether chess, theatre or a thousand and one other wonderful things, are of vital importance for social cohesion, mental health and many other reasons. All of us at Richmond & Twickenham Chess Club have reason to be grateful to Jack Redon, who might justifiably be seen as the club’s founder. I hope he’s looking on benignly, delighted that, many years later, the club is still thriving.
Sources and Acknowledgements:
ancestry.co.uk
findmypast.co.uk/British Newspaper Archives
chessgames.com
BritBase
ChessBase/MegaBase
Surrey County Chess Association website
Battersea and Kingston Chess Club websites
Brian Denman
John Saunders
“Sergei Tiviakov was unbeaten for a consecutive 110 professional chess games as a grandmaster, a record that has only been broken by World Champion Magnus Carlsen. Who better to teach you rock-solid chess strategy than Tiviakov. He was born in Russia and trained in the famous Russian chess school. In his first book, he explains everything he knows about the fundament of chess strategy: pawn structures.
If chess players trust that their knowledge of opening theory and tactics is enough to survive in tournament play, they are mistaken. Once you settle down for your game and the first moves have been played, you will need a deeper understanding of the middlegame. And one of the most challenging questions is: how to navigate different pawn structures?
Sergei Tiviakov gives you all the answers in this first volume of his highly instructive series on chess strategy. ‘Tivi’ is famous for his deep chess knowledge and rock-solid positional play. He has gathered a rich collection of strategic lessons he has been teaching worldwide, drawing mainly from his personal experience. The examples and exercises will improve your chess significantly and are suitable for any reader from club player to grandmaster level.”
About the Author:
“Sergei Tiviakov is a grandmaster, winner of an Olympic Gold Medal, three times Dutch Champion, and European Champion. Yulia Gökbulut is a Women’s FIDE Master, chess author and sports writer from Turkey.”
GM Sergei Tiviakov drawn by Rupert van der Linden in 1995
Before we start, you might liked to inspect sample pages
This book has its origins in a recent series of lectures given by Tiviakov. His co-author was responsible for shaping the material into a book.
We start with a long introduction about the difference between human and computer chess, which is interesting in itself, but not directly relevant to the subject of the remainder of the book.
What you don’t get is a complete guide to pawn structures: if you want that you’ll need to look elsewhere. Instead, you get something very much based on Tiviakov’s own repertoire. In general you’d expect positional players to prefer queen’s pawn openings, just as Tivi’s hero Tigran Petrosian did, while tactical players will be more likely to choose king’s pawn openings. Tiviakov, though, has been almost exclusively a 1. e4 player throughout his career. With White he makes little attempt to secure an advantage, just aiming to reach a pawn formation he understands better than his opponent.
In the first chapter we look at positions with a pawn majority on one flank. Something like this formation, which Tiviakov often reaches after 1. e4 c5 2. c3, or 1. e4 e6 2. d4 d5 3. Nd2 c5 4. exd5 Qxd5.
He comments that he’s unaware of any book dealing specifically with this sort of position, and neither am I. If you’re likely to reach this sort of pawn formation in your games you’ll find this material very helpful and instructive.
In this position, from a game Tiviakov – Romanov (White to play), he discusses the idea of deciding, even this early in the game, which pieces you want to trade off for the ending. His conclusion is that ideally you should retain the dark squared bishops, so that you can attack Black’s queenside pawns, and try to trade everything else off. He managed to realise his plan successfully in this game, where he compared his style to that of Petrosian, Karpov and Carlsen.
I’ve thought for many years that perhaps the topic which, more than anything else, needed a book was that of doubled pawns. Naturally, I was delighted to see that Tiviakov devotes two chapters to this. Some of the examples were an eye-opener for me.
Here, he uses his game against Igor Efimov (Imperia 1993: it’s not in MegaBase) to demonstrate how he plays against the Trompowsky.
At first glance you might think that Black’s bishop on e6 looks like a rather useless Big Pawn, but Tiviakov explains that it’s actually more useful than its white counterpart.
But it’s important to understand that in chess a piece is labelled ‘bad’ or ‘good’ not by how it stands, whether it is blocked by pawns or not, but on its role in the actions that its army will carry out.
He explains that Black plans to swing his knight to e4, followed by b6 and c5, and, if White does nothing, by c4, b5, b4, Qd6 and Rb8.
A very instructive game, he claims, but you’ll have to buy the book to find out why.
It’s grandmasterly insights such as this, sprinkled liberally throughout, which make this book worthwhile.
Here’s another example. Tiviakov used to favour the Scotch against 1… e5, but dropped it after a loss against Mamedyarov in 2006.
Black has gone in for a deterioration of his pawn structure. From the viewpoint of classical chess strategy, he should stand worse, because of the doubled pawns, the isolated pawn on e6 and in general the three ‘islands’ against two for White. But in concrete dynamic play, Black is not worse. This is something you should understand.
We now move on to positions with semi-open files in the centre.
This sort of pawn formation can arise from very many openings, for example the Caro-Kann or Tiviakov’s favourite Scandinavian.
Here’s another instructive example, with White to play in the 2006 game Godena – Tiviakov. A Qd6 Scandi has resulted in an equal position. Now White chose the apparently natural (to me anyway) 22. c4.
It is possible to place the pawns side by side on c4 and d4, if White has definite dynamic prospects or if the opponent cannot organize an attack on them. In this concrete example, I can prevent the pawn advancing to d5 and organize an attack on it.
After White’s 32nd move this position was reached. Objectively it’s completely equal, but in practice it’s Black who’s pressing.
Tiviakov again:
After the exchange of rooks, the queen and knight are stronger than the queen and bishop team, because Black has certain secure squares available to him. For example, the queen can come to d4 and then manoeuvre such that he can switch the attack between the white king, the queenside pawns and the pawn on f2.
White’s position is very unpleasant.
Another insight into how a strong grandmaster will perceive a position which a club player like me would think of as just being equal.
The next chapter is about positions with seven pawns each and an open d or e-file.
In this position from a Tiviakov – Kasimdzhanov game, we can deduce from a piece comparison that White stands slightly better. His dark squared bishop is clearly superior, especially after a future f3 and Bf2. It’s perhaps less immediately obvious that his light squared bishop is also better than its opposite number as it’s looking at Black’s slightly vulnerable queenside, while the bishop on b7, once White’s played f3, will be ineffective. Furthermore, White has a potential square on d5, while Black doesn’t have an equivalent square on d4.
Moving on again, we have, logically enough, Two Open Files in the Centre.
Here’s a position from Tiviakov – Ibrahim (2015), with White to play.
If I had a position like this I’d be thinking about offering a draw and heading to the bar, but in fact White is much better here. Black already has a weakness on d5, and by playing Bg4+ now (as it happens Stockfish thinks the immediate Re1 is preferable) and provoking f5, he creates additional weaknesses on e5 and e6.
The final chapter is rather different, looking at the way Tiviakov defends against flank openings, using a double fianchetto system. Again, interesting, but it doesn’t quite fit in.
Summing up, we have four chapters, 1, 4, 5 and 6, which fit together logically, and three chapters, 2, 3 and 7, which, although equally instructive and interesting, don’t really fit in, as well as a long introductory chapter of only tangential relevance. Although it might not make a coherent whole, the quality of the material is very high.
However, contrary to Tiviakov’s claim in his preface that the book is aimed at players of all strengths, from beginner to Grandmaster, it really isn’t. At lower levels games are usually decided by tactical oversights rather than subtle positional advantages of the type we see in this book. I’d say it was suitable for players of, say, 1750 upwards. Again, if you favour kingside attacks, sharp tactics or heavy opening theory this might not be the book for you. But if you’re a strong player with a preference for positional chess, and especially if you share some of his opening choices, this is a book you really don’t want to miss. A second volume has now been published, which I look forward to reading in due course.
Production values are well up to this publisher’s usual high standards, even though a final read through by a native English speaker might have helped. As usual with books for New in Chess, active learning is encouraged: the reader is asked questions every few moves.
Perhaps this isn’t a book for everyone, but the content is excellent throughout, and, if you’re strong enough to appreciate grandmaster level positional concepts, the book can be highly recommended.
Richard James, Twickenham 12th August 2024
. Richard James
Book Details:
Softcover: 264 pages
Publisher: New In Chess; 1st edition (31 Jan. 2023)
“The astounding success of How To Study Chess on Your Own made clear that there are thousands of chess players who want to improve their game – and do (part of) their training on their own. The bestselling book by GM Kuljasevic offered a structured approach and provided the training plans. Kuljasevic now presents a Workbook with the accompanying exercises and training tools a chess student can use to immediately start his training.
Kuljasevic wanted his exercises to mimic the decision-making process of a real game. His focus is on training methods that encourage analytical thinking. Most workbooks offer puzzles and puzzles only. But with this book, you will be challenged by tasks like:
Solve positional play exercises
Find the best move and find the mini-plan
Play out a typical middlegame structure against a friend or an engine
Simulation – study and replay a strategic model game
Analyze – try to understand a given middlegame position
The Workbook is designed for self-study, but is also useful for chess coaches and teachers and can be applied in one-on-one lessons, as well as in study groups in chess clubs, schools or online classes. This first volume is optimized for chess players with an Elo rating between 1800 and 2100 but is very accessible and useful for any ambitious chess player.”
About the Author:
“Davorin Kuljasevic is an International Grandmaster born in Croatia. He graduated from Texas Tech University and is an experienced coach. His bestselling books Beyond Material: Ignore the Face Value of Your Pieces and How To Study Chess on Your Own were both finalists for the Boleslavsky-Averbakh Award, the best book prize of FIDE, the International Chess Federation.”
GM Davorin Kuljasevic
Before we continue you might like to inspect this preview from the publisher’s website (product page here), which will give you an idea of the layout and show you some of the exercises. If you prefer, you can see sample pages from the Kindle edition here.
A quick word first. I have a large backlog of books to review and little time in which to review them, so, in an attempt to catch up, I will be writing much shorter critiques on the titles in my in-tray than I have done in the past.
I reviewed the author’s previous volume with some enthusiasm here, so was eager to see this workbook, especially given that, in terms of rating, but not interest in improving my game, I’m within the book’s target range.
The main body of the book comprises fifteen sets of eight puzzles. We start with five sets on tactics, gradually increasing in difficulty, each set including six ‘find the hidden tactic’ exercises, followed by two ‘tactical analysis’ exercises.
This seems excellent to me. My impression has always been that, at my level, games are much more often decided by spotting or missing exactly this sort of tactical point than by brilliant combinations and sacrifices. The Hidden Tactic exercises present a position and a three-move sequence, in which you have to find the tactical opportunity that was sometimes missed over the board. The analysis questions invite you to analyse several different lines and decide which is best.
Then we have five sets on Middlegame Training. Here we have six positions where you have to find the correct mini-plan, followed by two simulation exercises where you play through part of a game and are awarded points, in the style of Daniel King’s How Good is Your Chess feature in CHESS, for finding good moves.
Finally, there are five sets on Endgame Training to test you on this most important phase of the game. Here, each set gives you four endgame analysis questions where you have to analyse several lines. Then you have two endgame simulation exercises, followed by two positions for you to play out against a training partner, coach or engine. I’m very much in favour of this and believe that playing out endgame positions should be an important part of every player’s training.
In my day, 50-60 years ago, reading books was, for most of us, just about the only option for chess improvement. Now, of course, there are many more options. As was clear from his previous book, Kuljasevic has put a lot of thought into the most efficient training methods, and into what works best within the framework of a book, and has done an excellent job in selecting material appropriate for his target market.
If you think this book might appeal to you, again I’d refer you to the previews linked to above.
As is usual from this publisher, production values are high. The layout could have been more generous and easier to follow, but this would have necessitated more pages and cost you more money.
If you’re rated between 1800 and 2100, ambitious to improve your rating, are prepared to take time out for serious study and enjoy reading books, I can strongly recommend adding this to your library. Further volumes for lower and higher rated players are promised: I look forward to reading these in due course.
Richard James, Twickenham 26th July 2024
. Richard James
Book Details:
Softcover: 224 pages
Publisher: New in Chess; Workbook edition (31 Jan. 2023)
Last time I told you about Charles Dealtry Locock’s pioneering work in promoting chess for girls in the 1930s, and, in particular about his private pupil Elaine Saunders, the first genuine girl chess playing prodigy.
She wasn’t the first girl chess prodigy, though. Back in 1891 9-year-old Lilian Baird was making headlines round the world with her skilfully constructed chess problems. You can read about her in this book, and find out more about her chess problemist mother here.
Even in 1891, Lilian wasn’t the only chess kid in town. An even younger composer, seven-year-old James Kistruck from the Essex seaside town of Clacton on Sea, was being celebrated as far away as New Zealand…
The New Zealand Mail 10 April 1891
… and Louisville, Kentucky (although he’d apparently moved from Clacton to London).
The Louisville Courier-Journal 19 July 1891
Here, below, is the first problem: very crude and obvious but just the sort of thing a bright 7-year-old might come up with.
The second problem (the Hackney Mercury for 1891 isn’t available online so I don’t have the exact date) is rather more sophisticated. The key move creates no threat, but prepares three different mates depending on which piece Black moves. I’m sure you can work out the solution for yourself, though.
After the publication of these problems in 1891 nothing more was heard from young master Kistruck. Where did he come from and what happened to him next? I really wanted to find out.
Kistruck (some branches of the family used the variant Kistrick) is a very unusual surname, ideal for a one-name study.
The earliest mention online is of the birth of one Hosea Kistrick in the village of Kirtling, Cambridgeshire (south east of the horse racing town of Newmarket) in 1611. By the late 18th century, and now usually known as Kistruck, they’d migrated east to the villages to the west of Ipswich, Suffolk: Aldham, Elmsett and Offton. Like most of the population outside the big cities at the time, they worked in agriculture. While some of them were humble labourers, one branch had done well for themselves, rising to become farmers. These are the people we need to look at.
Rather confusingly, this family had a lot of sons, all with names beginning with J, and always starting in some order (usually with the father’s name coming first) with James, John and Joseph. The family’s favourite sport was cricket, which must have been confusing for the scorers with so many J Kistrucks in the village team, but some of them also had an interest in chess.
Let me take you back to Thursday 12 February 1862. It was a quiet day at Tollemache Hall, but the peace of the countryside was shattered by the sound of a shotgun and a cry of pain. Farmer Joseph Clarke Kistruck’s gun had accidentally been discharged, shooting him in the thigh. The loss of blood sadly proved fatal.
Essex Standard 27 February 1863
Although the family must have been reasonably well off, it wasn’t going to be easy for his widow Amelia, left with twelve children to look after, and, using the 19th century equivalent of GoFundMe, a fund was launched to help her, soon raising an impressive amount of money.
Suffolk Chronicle 09 May 1863
The twelve children included five sons and seven daughters, and, as this is, in part, a one-name study, we need to consider the boys. There were Joseph Clarke junior (1843), James (1850), John (1851), Jeremiah (1852) and Josiah Ernest (1861).
Jeremiah Kistruck (1852-1938), who spent time in an orphanage after his father’s death, later moving to London.Susanna Elizabeth Kistruck (1847-1927), who emigrated to Kansas.
It’s the two oldest of the boys, Joseph and James, who, in a small way, made their names in chess.
Joseph Clarke Kistruck junior moved to Ipswich after his father’s death, where he found work as an engine fitter, marrying in 1877 and then moving to Clacton on Sea, where his son, of course also named Joseph Clarke Kistruck, was born in 1883. (I wonder what he would have thought of Clacton’s new MP.) This was, as regular readers will know, during a decade in which many chess clubs started up, and chess was beginning to look like the game we now know.
In January 1889 a new chess opened in Clacton, and Joseph was one of the first members. On Easter Monday they played a match against a team of visitors, whose number included Joseph’s brother James.
East Essex Advertiser and Clacton News 26 April 1889
Joseph also took second place in the inaugural club championship, which concluded the following month.
The last time we hear from him, is in a match against local rivals Colchester in 1890. Perhaps he had to retire from chess for health reasons as he sadly died in September 1892. His son, though, followed in his footsteps, playing in a match for Clacton, again against Colchester, in 1906.
Joseph Clarke Kistruck III (1884-1964) pictured at Pinehurst Barracks, Farnborough in November 1917.
James, meanwhile, had moved to London, working for Jeremiah Rotherham & Co, a large department store on Shoreditch High Street, and, unmarried, living on the premises.
His name started appearing in the press in December 1887 as a regular solver of chess problems. Apart from the friendly match against his brother’s team we have no evidence of him playing club chess.
For several years his name was seen regularly in both local and national papers, which, week after week, would publish lists of those who had submitted correct solutions to their puzzles. He was clearly an accomplished solver.
In 1891 he tried his hand at composition, but the g and h files have been cut off in the online newspaper.
East Anglian Daily Times 25 April 1891
The following week the paper reported that the position, as published, had multiple solutions, and that a black pawn on g7 should be added. The correct solution, if indeed there was one, doesn’t appear to have been published.
If you also add a white pawn on g4 you get a sound, but not at all interesting, mate in 2.
Perhaps any problemists reading this can come up with something better.
By 1893 he was solving far less frequently, and, by the dawn of the 20th century he’d stopped completely, only returning late in life, with mentions in 1928 and 1929, and living on until 1935.
Back in 1909 he unexpectedly married a much younger woman, and their only son, James (of course) Frederick Kistruck, was born the following year. (It looks like they might have had an earlier son with the same name who didn’t survive, and whose birth was registered shortly after his death.) They had now moved out to North London, but he continued working for the same company. Even at the age of 71, in 1921, and by that time living in Wood Green, he was employed as a warehouseman.
There were a couple of other Kistrucks who occasionally solved chess problems. In 1889 there was a J S Kistruck (‘we note the different name’), who might have been a cousin, James Syer Kistruck. In 1893, EE Kistruck from Offton solved a problem in the East Anglian Daily Times. This must have been Joseph and James’s sister Edith Eliza Kistruck (1859-1908): it’s good to know that chess was played by girls as well as boys in the Kistruck family. Edith never married, moving around a lot and spending time with her siblings. In 1885 she gave birth to an illegitimate son, Oliver, in Bethnal Green (near where James was working) who died the following year.
Having looked at the chess careers of the Kistruck family, we need to return to the 7-year-old problemist James Kistruck, living in either London or Clacton, depending on which source you prefer, and having a problem published in Hackney.
James Kistruck was living near Hackney at the time, solving and attempting to compose problems. As of 1891 he had no children. His older brother Joseph was living in Clacton and playing over the board, and had a 7-year-old son, but his name was also Joseph, not James.
It seems to me that this was just a harmless hoax, cashing in on the fame of Lilian Baird to get a couple of problems published. I’d guess James composed them, and used his name, but his nephew’s age and home town to get them published.
If you have any other thoughts, do let me know, and don’t forget to come back soon for another Minor Piece.
Sources & Acknowledgements:
ancestry.co.uk/newspapers.com
findmypast.co.uk/British Newspaper Library
Wikipedia
Yet Another Chess Problem Database (www.yacpdb.org/)
“Are you a parent of a junior chess player who feels that because you don’t know how to play chess, you can’t help your child? Or are you an adult or junior chess player who has taken private chess lessons for years, but feels you haven’t been progressing? In both cases, there can be a lot of reliance on a chess coach who has been given free rein with lesson content and direction. They probably have some sort of plan but it is likely to be a plan used for all their students. This is not ideal.
More important is a well-thought out, individualized plan, that focuses on a specific player’s unique strengths and weaknesses. Formulating such a plan is crucial for making improvements. Victoria Doknjas and her son John Doknjas are an ideal writing partnership to tackle this topic. John is a FIDE Master who has already established himself as an excellent and highly-respected author who understands the improvement process very well. Victoria has over a decade of experience navigating the competitive chess arena with her three master-level sons, including also running her own chess academy. Together they offer a unique and informative insight to those wanting to get more out of their chess studies, as well as presenting practical advice in areas including:
* Identifying important goals and how to work towards them.
* Understanding how to objectively analyse your games.
*Maximising the efficiency of software and engines for learning.
Reading this book can broaden your horizons in the essential areas of chess study, and ideally let you better evaluate what your chess coach is teaching you. And if you don’t have a chess coach, this book will provide you with an excellent foundation for serious chess study.”
and about the authors:
John Doknjas is a FIDE Master who has won several strong tournaments in British Columbia, Canada, including the Grand Pacific Open. John is a chess teacher with over eight years of experience and is a highly respected author. Victoria Doknjas has over a decade of experience navigating the competitive chess arena, including also running her own chess academy.
As with every recent Everyman Chess publication high quality paper is used and the printing is clear. Each diagram is clear as is the instructional text. Figurine algebraic notation is used throughout and the diagrams are placed adjacent to the relevant text.
A rather provocative title, I think. Here are two chess coaches telling you what chess coaches (presumably apart from them) don’t tell you. You can read their introduction in the sample linked to above.
As I have a rather large pile of books still to review and much else to do I hope you’ll excuse me being rather less detailed than in the past.
Of course there’s a big difference between coaching players with, say, ratings of 0, 500, 1000, 1500, 2000 and 2500. Or between coaching players aged, say, 5, 10, 15, 20 or 25, not to mention 50 or 95. Or between coaching players who have, say, 5 hours a day, 1 hour a day or 1 hour a week to devote to chess.
I can summarise the chapters fairly quickly.
Chapter 1 (3 pages): Working Hard with a Set Purpose. Or, if you like, Deliberate Practice.
Chapter 2 (5 pages): Defining Goals and Developing a Plan to Achieve Them. All great in principle, but the problem is that, for most of us, life (work, studies, family or whatever) usually tends to get in the way.
Now we move on to the meat of the book.
Chapter 3 (57 pages): Analyzing Your Games.
The authors recommend that when you’ve played a game you enter it into your database (without having an engine on), annotate it with specific reference to the critical moments, write down what you learnt from the game, and only then look at it using an engine and/or show it to your coach.
You’re provided with three exercises: one game by each of the authors and a grandmaster game, each of which is presented five times: without annotations, with the possible critical moments highlighted, with some variations at the critical moments, with further explanations at the critical moments, and finally with engine-based analysis.
With jumbo sized diagrams used liberally, this takes up a lot of space for a lot of repetition.
Here’s the GM game: you might want to see how you get on. Click on any move for a pop-up window.
Analysing a Karpov game would, I’m sure, be a good exercise for a 2000+ player, but it would be pretty hard for a 1500 player and futile for a 1000 player. We’re perhaps looking at this point at a book for very strong and ambitious players, along with their parents and coaches.
This level seems to be continued in Chapter 4: Creating an Opening Database (30 pages). Using as an example the closed Italian Game (with c3 and d3) for White, the authors show you how you might go about this using ChessBase.
When we’re trying to find moves for our opponent to use in our opening repertoire, we should try to find the most popular moves (since these are what we’re most likely to face in a game). However, when we’re trying to find a move to play ourselves, often it’s useful to choose a rare move over a popular move (as long as the engine is fine with it).
Again, this sounds like excellent advice for, say a 2000 player.
Moving on, then.
Chapter 5 clocks in at a chunky 85 pages on Will to Win: Essential Endgames. All reputable chess coaches will agree that Essential Endgames are, well, essential.
But here we’re taught how to play baby positions like this…
.. which is one of the first lessons I give beginners, followed by pages on RP v R (Philidor, Lucena) and Q v P on the 7th rank, again material more suited to 1000 players than 2000 players.
This all left me rather confused as to the purpose and target market of the book.
We’re still in endgame territory in Chapter 6, Tactics and Studies (32 pages). As well as solving tactics puzzles online the authors recommend, like most chess coaches these days, solving endgame studies. They present five rather difficult studies here, much more suited to 2000 rather than 1000 strength players.
This one, unlike some of their other choices, has a short solution.
White to play and draw (Jan Timman 1981)
The main line runs 1. Nd2 Bf7 2. Kg5 Ng2 3. Nf3 Kf8 4. Ne5 Kg7 5. Nxg6 Bxg6 with stalemate.
Chapter 7 is Slowing Down (another 32 pages). Good advice for novices, yes, but do you need to tell experienced players to slow down? We seem to be back with advice for 1000 players now, telling you to play more slowly and consider basic principles (control the centre squares, develop your pieces etc). We then have a few exercises where you have to use basic principles to find the best plan in some GM games.
The final long chapter, Chapter 8 (88 pages), is on Training Games. I was very pleased to see this chapter as I consider training games to be an invaluable method of improving your chess which is often ignored. We’re first advised to play training games against stronger players if we can. We’re then given 41 positions which can be played out against a training partner or a computer. These range from typical opening positions, through a variety of middlegame positions through to endings. Each of the positions is then repeated along with the game continuation and some analysis, explaining the length of the chapter.
Chapter 9 (22 pages) covers the important topic of To Exchange or not to Exchange in rather perfunctory fashion: a brief introduction followed by four examples including games from Kasparov and Karpov.
Finally, Chapter 10 (12 pages) gives you some FAQs for Parents or Those New to Competitive Chess – useful, I suppose, but parents and adult newcomers will have rather different questions, and some of the answers are USA/Canada-centric, which may not be helpful for UK readers.
What to make of this book, then?
The question I always ask is whether the publishers commissioned the book, or whether the authors wrote it and submitted it on spec. Perhaps the former, although I may be wrong. It’s clear that the authors are great chess coaches and the book is full of excellent ideas and advice, some of which is not readily available elsewhere. But it doesn’t seem coherent to me, though, switching between advice tailored for budding masters and instruction more suitable for novices. There was, for my taste, rather too much analysis of fairly random examples, and the layout, with the very large diagrams favoured by this publisher, could have been more economical.
While I get that the chess book market, unless your name is Levy Rozman, is relatively small, and publishers want their books to appeal to as wide a range of readers as possible, trying to please everyone at the same time results in a book which will only be useful in parts for most purchasers. A more proactive approach from the publishers to produce a book with a more specific target market could easily have resulting in something half the size and twice as useful (which would perhaps have sold half as many copies).
Although I can only recommend the book with reservations, you might find it fills a gap in the market and at least some of the material will give you some fresh ideas about how to improve your, or your students’ rating.
And, if you’re interested in publishing a book about what chess coaches don’t tell parents of kids rated under 1000, I know just the person to write it.
Rook Endgames from Morphy to Carlsen: Valentin Bogdanov
From the publisher:
“So, you want to improve your rook endings? Good choice, as they occur more often in your games than your favourite opening lines!
Allow vastly experienced trainer Valentin Bogdanov to assist. However, we are not headed for the classroom, but to the tournament hall! We shall witness tense moments as the greatest champions in chess history battle their way through all manner of rook endings: tactical, strategic and technical. Your coach will be whispering in your ear, explaining what is happening and giving the theoretical background. You will also be getting the benefit of modern computer analysis, which X-rays these classic games for errors and missed resources in a way that was not possible even a few years ago. A feast of astonishing analysis awaits!
We shall see that even the best players make a surprising number of errors in rook endings. This should give us heart to fight even in the most desperate of situations, and motivate us to study these endgames so we can pick up the many half-points and even full points that our opponents will surely offer up to us.
By emphasizing the most common themes and areas where players go astray, Bogdanov helps us determine which parts of those technical endgame manuals that are sitting on our shelves are most worth thumbing through. This book can also simply be enjoyed as a stroll through chess history – you will be amazed how many key turning-points occurred in rook endgames!
The players featured in this book include all 17 official world champions, the 3 ‘uncrowned kings’ who preceded them, and a selection of 8 other outstanding players. There are 384 examples in total. The book is completed with a selection of 68 exercise positions, and detailed indexes of themes and players.”
About the author, Valentin Bogdanov
“International Master Valentin Bogdanov has vast experience as a chess trainer, and is from Ukraine. His pupils include Moskalenko, Savchenko and Drozdovsky, and he has acted as a second for the well-known grandmaster and theoretician Viacheslav Eingorn since the late 1970s. For more than 50 years he has been a teacher at the chess school in Odesa (Ukraine), and in 2016 won the European Over-65 Championship. In the same year he also qualified as an International Arbiter and has since then officiated over a great many chess events in his country. This is his fifth book for Gambit.”
Here, on YouTube John Nunn gives the reader an introduction to the book:
This book is an excellent publication on rook endgames. It is packed full of an instructive examples from practical games which makes the material more accessible than a book of purely theoretical positions. There are a lot of fresh examples that are new to the reviewer which makes the book particularly novel. The book is probably aimed at 2000+ players although any aspiring player would glean lots of useful guidelines on playing rook endings from this tome. There is an excellent “Index Of Themes” at the back.
The reviewer will show six examples from the book.
Position 10
Steinitz-Blackburne Vienna 1898 Position after 80…Rc2
There are many positions with R+2P v R with a and c pawns that are drawn. This position is winning with care. Steinitz inexplicably played 81.a7+? believing that seizing c7 for the king would win. 81…Kxa7! 82.Kc7 Rh1! 83.c6 Rh7+ drawing with flank checks.
The natural 81.Kd7! wins easily, for example 81…Rh1 82.c6 Rh7+ 83.Kd6 Rh6+ 84.Kc5 Rh1 85.Kb6 Rb1+ 86.Rb5
Steinitz-Blackburne Vienna 1898 Variation after 86.Rb5
Larsen-Tal Candidates (9) Bled 1965 Position after 52.Kxe5
Black hurries to force a drawn R+P v R endgame, but is mistaken. 52…b3? 52…Rh2 or Re2 is much better 53.axb3! Rxb3 54.Kd6 Rd3+
Larsen-Tal Candidates (9) Bled 1965 Position after 54…Rd3+
White played 55.Ke6? throwing away the win, 55.Ke7! wins controlling d8, after 55…Rh3 intending flank checks 56.Ra4 Rh7+ 57.Kf6 Rh6+ (57..Kd8 58.Ra8+) 58.Kg5
Larsen-Tal Candidates (9) Bled 1965 Variation after 58.Kg5
58…Rd6 otherwise, white will cut black’s king off with Rd4 59.e5 Rd1 60.Kf6! winning because black’s rook can only work on the short side as his king is on the long side
Larsen-Tal Candidates (9) Bled 1965 Variation after 60.Kf6
Position 116
Unzicker-Petrosian Varna Olympiad 1962 Position after 47.Kg2
This position is deceptive 47…Rb6 (47…Rb5 allows 48.Rd6 and the rook gets behind the pawn and white probably draws) 48.Ra4 Ra6? for once placing the rook behind the pawn does not win as the a-pawn is only on the fourth rank! 48…Rb5! 49.Rc4 Kf6! and black’s active king wins the game as it can support the a-pawn quickly
Unzicker-Petrosian Varna Olympiad 1962 Position after 48…Ra6
49.Kf3? natural but 49.f3! and 50.g4! seeking counterplay draws 49…Kf6 50.Ke4 Ke6 natural, but 50…Re6+ and Re5 activating the rook wins 51.f3! white advances the kingside pawns to get counterplay which draws with accurate play.
Unzicker-Petrosian Varna Olympiad 1962 Position after 51.f3
Unzicker-Petrosian Varna Olympiad 1962 Position after 62…Kc4
White has defended well but now makes a fatal mistake 63.Rc1+ draws as the black king has to retreat, 63.Kf4? Kc3! The a-pawn is too strong 64.Kg5 Kb2 65.Re1 f4+! 66.Kxf4 a4! 67.Ke4 a3 68.f4 a2 winning
Position 131
Fischer-Bisguier UA Ch New York 1958-9 Position after 70.b4
Bisguier had an appalling record against Fischer, gaining a single win and a single draw against the young Bobby. He lost the other thirteen games including this one.
White has an edge as black’s king is a long way from the b-pawn, but he can draw with careful defence. 70…d4? (Sloppy, black can draw easily with 70…Rb3! 71.Kc5 Rb1 72.Rd2 Ke6!) 71.Kd5! a clever switchback probably missed by Black 71…Rd1 72.Rf2+! The point forcing the black king further away 72…Kg4
Fischer-Bisguier UA Ch New York 1958-9 Position after 72…Kg4
Now Fischer goes astray, 73.Kc4? White can win with 73.b5! Kg3 (73…Rb1 74.Kc4 d3 75.Rd2! Rc1+ 76.Kc5! Rc1+ 77.Kb6 Rc3 78.Ka5 and Black loses the d-pawn and the game) 74.Rb2! winning
Fischer-Bisguier UA Ch New York 1958-9 Variation 1 Position after 74.Rb2
After 73.Kc4? played in the game:
Fischer-Bisguier UA Ch New York 1958-9 Position after 73.Kc4
Bisguier came up with a faulty plan 73…d3?74.Kc3! winning the pawn after Rd2 and as the Black king is cut off by two files, the ensuing R+P v P is easily won
73…Kg3! draws 74.Rf5 (74.Rb2 Kf4 75.b5 Ke3 draws), 74…d3! 75.Kc3 d2! 76.b5 Kg4! 77. Rd5 Kf4! draws as capturing the d2-pawn allows a drawn K+P v K ending.
So much play with only 6 pieces!
Position 200
Aronian-Carlsen Moscow 2006 Position after 72…Ra8
Aronian played the cunning waiting move 73.Rd6 testing the young Magnus. This trap is also covered in Rook Endings by Levenfish & Smyslov. Black played the natural check 73…Ra7+? which loses. After 74.Ke8! Carlsen resigned. Only 73…Kg6! draws.
Position 293
Jansa-Geller Budapest (team event) 1970 Position after 66…Rxb4
White won here using a famous systematic manoeuvre called Lasker’s steps. 67.Rxc2? throws away the win as Black’s flank checks with the rook draw, so 67.f7! Rg4+ 68.Kh8 Rf4 69.Rc6+ Kh5 70.Kg7 Rg4+ 71.Kh7 Rf4 72.Rc5+ Kh4 73.Kg7 Rg4+ 74.Kf6 Rf4+ 75.Ke6 Re4+ 76.Kf5 Re2 77.Kg6 Rg2+ 78.Kh6 Rf2 79.Rc4+ Kh3 80.Kg6 Rg2+ 81.Kh5 Rf2 82.Rc3+ Kh2 83.Rxc2! queening the pawn. Now White just has to win Q v R.
This short review cannot really do justice to this book. I do highly recommend it. The graded exercises at the end are tricky , even the so called easy ones!
FM Richard Webb, Chineham, Hampshire, 6th July 2024
Rook Endgames from Morphy to Carlsen, Valentin Bogdanov, Gambit Publications (1 April 2024), ISBN-13: 978-1805040712Rook Endgames from Morphy to Carlsen, Valentin Bogdanov, Gambit Publications (1 April 2024), ISBN-13: 978-1805040712
Last time I considered Charles Dealtry Locock’s tournament and match play in the 1880s and 1890s, at which point he gave up competitive chess.
But it was far from the end of his chess career. Alongside his chess playing he had a parallel career as a chess problemist.
In The Chess Bouquet (1897) he was given the opportunity to say something about how he started to take an interest in the problem art.
Here’s that first problem.
Problem 1 (#3 Illustrated Sporting and Dramatic News 18-02-1882). The solutions to all problems are at the end of this article.
Here’s another early problem.
Problem 2 (#2 Southern Weekly News 29-12-1883).
But these represented just an early dalliance in the problem world. Concentrating on his studies and over the board play, he took a break from composition, only returning in 1890.
This miniature had probably first been published in Tinsley’s Magazine a few months earlier.
Problem 3. (#2 Morning Post 06-01-1890)
He published a few more problems in 1891, gradually increasing his production over the next few years as he stopped playing tournament chess.
Most of the problems were mates in 2 or 3 moves (quite a few of them, sadly, cooked, which suggests, as does his play, a certain carelessness), but also a few selfmates. By now he had a column in Knowledge, which ran from 1891 to 1904, which provided an outlet for some of his compositions.
While some of them were complex, he also published a lot of simpler problems suitable for casual readers, often employing perennially popular themes such as queen moves to corners, star flights and switchbacks.
Problem 4. (#2 The Field 1891)
In 1892 Locock made a brief excursion into the world of endgame studies, with this early example of Co-ordinate Squares.
You’ll see Locock was living in Kingston at the time, but by the September he’d moved down the road to Putney Heath.
I haven’t been able to find anything further, either in the 1892 or 1893 BCM, perhaps unsurprisingly, since the position is drawn, regardless of whose move it is. If it’s Black’s move, though, the only drawing move is 1… Kg7.
If, however, you start with the white king on a1 instead, then you have an excellent study. It was published with this correction in the Deutsche Schachzeitung in October 1914.
White wants to meet Kf6 with Kd4, and therefore also wants to meet Kg5 with Ke3. There’s only one route to get there.
Study. (W to play and win British Chess Magazine July 1892 (corrected))
In the 1893 Christmas Special issue of the British Chess Magazine, Locock offered a puzzle involving retroanalysis.
Here’s the published solution. I’ll leave to experts in this field to comment.
His problems didn’t win a lot of prizes, but this Mate in 3 from 1896 was a first prize winner.
Problem 5. (#3 Manchester Weekly Times 1896)
In The Chess Bouquet Locock discussed his ‘decidedly heterodox’ views on chess problems.
He concluded like this.
This is one of the problems he composed for The Chess Bouquet.
Problem 6. (#2 The Chess Bouquet 1897)
Although he retired from competitive chess in 1899, Locock certainly didn’t retire from composition, although he was increasingly drawn to 3-movers rather than 2-movers. Some of them are pretty complex, but this one is rather sweet and certainly accessible to the casual solver.
Problem 7. (#3 British Chess Magazine February 1909)
This more complex mate in 3 was a 1st prize winner in 1933.
Problem 8. (#3 1st Prize British Chess Magazine 1933)
Now let me take you back to 1909. On April 1 (note the date), Locock wrote to the editor of the BCM:
A sui-mate is what we’d now call a selfmate. Black compels a reluctant White to deliver checkmate.
For those of you who aren’t bilingual, here’s the game.
Locock would maintain an interest in these tasks, known as Synthetic Games, throughout the rest of his long life. In 1944 he published a whole host of them in the BCM. Note that, unlike in Proof Games, there are often multiple solutions.
You might like to try a couple here.
Synthetic Game 1: White opens 1. Nc3 and delivers a pure mate (there’s only one reason why the king cannot move to any adjacent square) with the queen’s rook on the 5th move. (British Chess Magazine May 1944)
Synthetic Game 2: Black mates on move 5 by promotion to a knight (this is also a pure mate). (Manchester Weekly Times 28 Dec 1912)
If you’re interested in synthetic games you’ll want to read this comprehensive and authoritative paper written by George Jelliss.
There, then, you have the problem career of Charles Dealtry Locock, who, as well as being a very strong player during the 1880s and 1890s, held an important and, you might say, unique place in the chess problem world for more than 60 years. If you’d like to see more of his problems, check out the links to YACPDB and MESON at the foot of this article.
But there was much more to Locock’s chess life than playing and composing, as you’ll find out next time. Be sure not to miss it.
Solutions to Problems and Study (click on any move for a pop-up board).
Problem 1.
Problem 2.
Problem 3.
Study.
Problem 5.
Problem 6.
Problem 7.
Problem 8.
Synthetic Game 1.
Synthetic Game 2.
Sources and Acknowledgements
ancestry.co.uk
findmypast.co.uk/British Newspaper Library
Wikipedia The Chess Bouquet (FR Gittins: here) British Chess Magazine (various issues)
Internet Archive (here)
Chess Archaeology (here) The Problemist
Yet Another Chess Problem Database (here)
MESON Chess Problem Database (here) Synthetic Games (George Jelliss: here)
We focus on the British Chess Scene Past & Present !
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